Should You Edit Your Own Podcast or Hire a Podcast Editor?

August 20, 2026

Editing your own podcast sounds reasonable enough. You recorded it. You know what you meant. You have editing software. There are approximately 4,000 YouTube videos promising to teach you everything by lunch.

Then three hours disappear.

You’re listening to the same 11 seconds for the ninth time, trying to decide whether that pause sounds thoughtful or awkward. Your guest coughed over your best line. Somebody’s chair squeaks like it has a speaking role.

And you still have to mix the thing.

Eventually, most podcasters start wondering whether it’s time to hire a podcast editor.

But the choice isn’t simply DIY or professional anymore. You can edit everything yourself, use AI to speed things up, hire a freelance podcast editor or work with an experienced podcast editing and production team.

All four can work.

The real question is: What does your podcast need now — and what do you want it to become?

DIY makes a lot of sense when you’re starting out. It keeps costs down, gives you complete control and teaches you a ton about your own show.

Spend enough time editing yourself and you’ll quickly learn that you interrupt guests, your intro takes three minutes to go absolutely nowhere or you say “you know” approximately 417 times per episode.

Painful? Maybe. Useful? Absolutely.

Editing your own podcast can make you a better host because you hear the conversation differently when you’re no longer in it.

And some people genuinely enjoy editing. If spending Saturday inside a waveform is your happy place, carry on.

Where DIY starts getting harder

The podcast usually grows before your available hours do.

One monthly episode becomes weekly. You add guests. Then video. Then clips. Then ads. Then someone says, “We should probably be on YouTube.”

That’s when DIY editing stops being “free.” It may not generate an invoice, but it costs time you could be spending researching guests, preparing better interviews, marketing episodes or running the business the podcast exists to support.

And if you’re weighing DIY against professional help, it’s worth understanding what goes into podcast production costs and why the price can vary so much from one show to another.

AI for podcast editing can take a lot of the grunt work out of editing audio.

Depending on the tool, it can help flag long silences, identify filler words, clean up noise, make transcript-based cuts and speed through repetitive tasks that used to eat up an afternoon.

That’s real value.

But AI is generally working with what it can detect. Podcast editing also requires understanding what something is doing in the conversation.

AI can find a long pause. However, it can’t always tell whether that pause is awkward, funny, dramatic or exactly what the moment needs.

It can flag a repeated sentence, but it doesn’t necessarily know whether the repetition is dead weight or the setup for the next line.

And it can clean up a recording without knowing whether the finished episode actually moves, builds or holds a listener’s attention.

For a straightforward podcast — especially one with clean recordings and a host who wants to stay involved in the final cut — AI can be a seriously useful tool. Think of it as a faster way to do some of the work. Just don’t confuse automating edits with making editorial decisions.

RELATED: The Truth About AI Podcast Editing >>

A freelance podcast editor can be a great middle ground.

You get another human involved and can hand off much of the workload while choosing the scope and working relationship that fits your show.

And “freelancer” does not automatically mean inexperienced. Some freelance editors are tremendously skilled producers. Others focus primarily on technical post-production: removing mistakes, cleaning audio, adjusting levels and delivering a finished file.

Either can work. The question is what you need them to own and how they approach the conversation itself.

Watch Out for the Over-Sterilized Podcast

One concern podcasters have when handing off their show is getting back something that sounds technically flawless and strangely lifeless. It happens.

A podcast editor removes every pause. Every breath. Every stumble. Every bit of overlap. Every imperfect little moment that made it sound like two actual humans were talking to each other.

The audio is clean. The conversation is gone.

Good podcast editing shouldn’t sterilize a show. It should remove what distracts the listener while protecting the rhythm, personality and chemistry that made the conversation worth hearing in the first place.

That’s why one of the best questions you can ask before hiring a podcast editor isn’t:

What software do you use?

It’s:

How do you decide what to cut?

Then ask:

How much direction will you need from me?

Will you learn the style of my show over time?

Because if every episode requires a timestamp list covering every stumble, cough, pause and sentence you want tightened, you may have outsourced the software work while keeping most of the editorial work yourself.

The right podcast editor should eventually know your show well enough to understand not only what needs fixing, but what should be left alone.

This is where people sometimes assume things are about to get expensive and elaborate, but they don’t have to.

Professional podcast editing can be as straightforward as handing off the weekly post-production you no longer want to do yourself. At Redrum, standard podcast editing starts at $149 per episode, making professional help attainable for newer and smaller shows, too.

You don’t have to show up with a major brand, a giant audience or a documentary series. Sometimes you just need someone good to edit the podcast.

But when a show needs more, an experienced podcast production team can go much further.

It starts with knowing what to leave alone

The art is knowing what to take out and what to leave in. The goal isn’t to hunt down every filler word, pause or breath. It’s to know what makes the conversation feel human and what simply gets in the listener’s way.

At Redrum Creative, my partners and I have spent decades developing that ear. That’s the art of conversation.

And sometimes the recording can become something bigger

A recent true-crime podcast came to Redrum largely as dry audio.

There was a compelling story in the raw recording. But the Redrum team heard an opportunity to make listeners do more than hear it. They could experience it.

Music helped build tension. Sound effects brought moments to life. Editing sharpened the storytelling. Pacing gave important moments room to land.

The result wasn’t simply a cleaner version of the recording. Through sound and world-building, it became an experience listeners could step into alongside the hosts. 

That’s where an experienced production team offers something very different from basic cleanup.

Most DIY podcasters aren’t building an immersive soundscape around a scene after dinner. AI isn’t listening to a story and deciding that a moment needs tension before the next line lands.

That takes creative production. And the nice thing is that you don’t have to choose between “basic editing” and “huge production.”

A good team should be able to meet the show where it is.

RELATED: Podcast Production Costs – What Podcast Companies Don’t Tell You >>

Here’s the simpler comparison:

OptionBest ForWhat You GainWhat You Still Own
DIY podcast editingNew shows, tight budgets, hands-on creatorsControl and firsthand learningThe entire workload
AI-assisted editingStraightforward shows and faster DIY workflowsEfficiency with repetitive tasksReview and creative decisions
Freelance podcast editorShows ready to hand off editingHuman editing and flexible supportDepends on the editor and scope
Professional editing/production teamShows that want experienced help at any production levelReliable editing with room to scale into creative productionDirection and final creative vision

A new interview podcast and a cinematic true-crime series may need very different levels of production.

That doesn’t mean only one of them can benefit from experienced editors.

A 45-minute episode does not take 45 minutes to edit.

Someone still has to listen, make editorial cuts, check transitions, address audio problems, balance voices, mix, add any production elements and quality-check the finished episode.

So, how long does it take to edit a podcast?

It depends on the recording quality, number of speakers, episode format, amount of cleanup and how much production the show requires.

A clean conversational episode is one thing. A narrative episode with music, sound design and extensive editorial shaping is another.

And if you’re editing your own podcast, experience matters too. Which leads to the more useful question:

Is editing still the best use of your time?

If it is, keep doing it. If it isn’t, professional help may be more attainable than you think.

There’s no magic episode number. You don’t have to wait until the show is “big enough” either.

It may be time to hire a podcast editor when:

  • Episodes are getting delayed because editing isn’t finished.
  • You dread post-production more than you enjoy recording.
  • You’re spending hours on editing someone else could handle.
  • Your production needs have outgrown your technical skills.
  • You’re adding video, music, sound design or more complex storytelling.
  • Quality changes noticeably from episode to episode.
  • You’re tired of making every tiny editorial decision yourself.
  • You know the show could be better but aren’t sure how to get it there.

Sometimes you don’t need another pair of hands. You need another pair of ears.

DIY, AI and freelancers all have their place. But when editing starts eating your time — or your show needs more than cleanup — it may be time to bring in experienced producers.

At Redrum, standard podcast editing starts at $149 per episode and can scale to music, sound design and full creative production.

Because sometimes the question isn’t just:

Who can edit this podcast?

It’s:

What could this podcast become?

Explore Redrum Creative’s Podcast Editing Services >>

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About the author

Mike Madrigal is a founder and executive podcast producer at Redrum Creative. With more than 35 years of experience in audio production, voiceover and sound design, he has produced multiple Apple Top 50 podcasts and helps clients create polished, immersive audio experiences. Throughout his career, he has also helped brand more than 1,000 radio stations and created audio for global brands such as Apple, Disney, Walmart and Pandora.
 Connect with Mike on LinkedIn →

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